A new exhibition of Robin and Lucienne Day’s work has just opened at Pallant House. As Chichester was the couple’s hometown, this is a perfect place for the exhibition, which draws heavily on a collection of their work owned by H Kirk Brown III and Jill A Wiltse from Denver, USA.
Seeing such big pieces of original fabrics is great. You can really feel the quality of the cottons and linens which in those days were less heavily treated. Being left in a more raw state, the fabrics seem more substantial than ours nowadays. In terms of the size of her repeat patterns, Lucienne worked at a much larger-scale than her forbears and I think that’s what gives her designs their modernity. Looking at them this weekend they appeared as crisp and fresh as in the ‘50s and ‘60s. All the greats are in there, including Rock Rose, Runic, Linden (which my mum and dad had in our house when I was growing up!) and Flotilla, the pattern that Lucienne apparently thought came closest pattern to a painting.
The exhibition also features Robin Day’s timeless furniture and his brilliant radios including the 1108 for Pye, which won a Design Centre Award in 1966.
Hand-in-hand with the Day exhibition is A Tonic to the Nation: The Festival of Britain in Pallant House’s De’Longhi Print Room. It marks the 60th anniversary of the Festival that the Days’ were heavily involved with. It features souvenirs, posters and memorabilia.
A Tonic to the Nation is on until 8th May and Robin and Lucienne have taken up residence until 26th June.